OUR SHORT FILMS at A GLANCE
POSTERS, SYNOPSES, and video teasers
Elevating cinematic narratives through a comprehensive production ecosystem designed for visionary storytellers and strategic partners.
Strategic Proof of Concept. Our short film portfolio validates rigorous execution, market-ready technical craft, and festival-recognized narrative excellence.
REPERATIONS
(a short film) serves as a strategic narrative response to systemic socio-economic disparity. This festival-recognized production demonstrates high-value execution and market-ready technical craft, leveraging a compelling cinematic identity to examine the historical and contemporary impact of policy-driven injustice on descendant communities.
ME & MINE
(a short film) serves as a high-impact narrative proof of concept, establishing technical maturity and market potential. The film follows Sheila Warren, a mayoral candidate, navigated through a high-stakes televised interrogation. By contrasting elevated expressionist aesthetics with sharp, socially relevant dialogue, the production demonstrates high-value execution and scale.
(a short film) serving as a high-impact proof of concept for social-thriller narratives. This production showcases technical precision and market-ready execution by chronicling a communal unit’s descent into hallucinatory dysfunction. Through the strategic insertion of a federal asset into a high-stakes narcotics den, the film demonstrates sophisticated plot pacing and ensemble directing.
THE FREEMAN'S OATH
Serves as a high-caliber proof of concept, demonstrating exceptional narrative execution and technical precision. Centered on political strategist Jacob Freeman, the film explores systemic corruption and moral conflicts. This project underscores our production capability, with critical acclaim and strong festival engagement.
FEATURE FILM IN DEVELOPMENT
FEARLESS LOVE
A high-concept thriller short that strategically demonstrates elevated genre execution and market-ready production values. Validated by a strong festival trajectory and significant audience engagement, this narrative utilizes a sophisticated investigative structure to showcase technical mastery in the suspense category.
ANYONE WHO EVER LOVED
This high-impact domestic thriller demonstrates market-ready technical craft and turnkey execution. Leveraging a world-class production ecosystem, the film delivers cinematic standards optimized for global festival circulation and scalable feature development.
SEEKING FEATURE FILM
or
MINI SERIES SUPPORT
Honorable Mention - ANYONE WHO EVER LOVED, September 9th, 2026, New York Film & Female Actress Award for
MALE DIRECTOR and TV PILOT
Honorable Mention - ANYONE WHO EVER LOVED, September 11, 2026, Los Angeles Movie & Music Video Awards for
SHORT FILM and DIRECTOR SHORT FILM
BLOW UP
(a short film) Serving as a high-impact proof of concept, this award-winning festival favorite provides a strategic look at relationship volatility through high-caliber technical craft and broad audience engagement.
It's 10 PM
… is an Independent Short Film that illustrates all too vividly the ritualistic events of five freewheeling teenagers and the consequences they must face. Not one detail is left untouched, not one pubescent rock left unturned, as the screenwriters take the viewer into the pre-millennium world of young adults.
COMPETITION HIGH
(a short film) about Ms. Parker, a popular High School teacher, who is adamant that she’s done nothing wrong at Manipulation High. Here, allegations of sexual misconduct with a student are rumored by a student cheerleader.
FREE-WRITER
A financially desperate novelist becomes convinced that his self-restoring manuscript controls the lives of people trapped in a parallel universe, forcing him to choose between saving them—or finishing the book before his unraveling marriage collapses. Free-writer written by Evelyn Larrison, Produced and a performance by Jeff Lambert Wingfield
In Pre-Production
THE NEXT CASE
Two strangers arrive for an ordinary interview, only to find six others of color vying for the same position. But all are inundated by increasingly unsettling questions that expose discrimination, prejudice, compromise, and historical bias; the interview becomes a trial—and neither realizes they may already be the next case.
IN DEVELOPMENT
ONE INTERVIEW. SIX STORIES. A FAIR CHANCE SHOULD BE FOR EVERYONE.
BEYOND RESUMES LIE REAL PEOPLE.
JUSTICE BEGINS WITH OPPORTUNITY.
BODIES of Color
Witness an electrifying gathering at a posh eatery where five couples unite to toast an adoption! What starts as a gala soon explodes into a gripping exploration of truth as hidden biases spark a massive confrontation regarding heritage, kinship, and the price of silence.
IN DEVELOPMENT
"Before you know my name, you have already assumed my story - my being... But I am not the story you have assumed; I am what I have inherited. I am the story I survived."
STRICKEN
STRICKEN: (a dramatic film script) was developed to emphasize the struggle of our youth who yearn to live while battling a disease. The screenwriter takes you into the lives of three main characters, brought together by their fight against the same disease. These three young adults have learned to deal with their disease but have succumbed to its repetitive bouts of symptoms.
IN DEVELOPMENT
SEEKING FEATURE FILM SUPPORT
LINES IN THE SAND
After a catastrophic storm transforms their community college into an emergency shelter, twelve young women and men—of various races—enter a campus political forum intended to encourage civil discussion. Instead, someone draws a red line across the floor, separating the students by race, ideology, privilege, and presumed loyalty. AMARA, an uncompromising Black student determined to confront the truth, clashes with CLAIRE, EVAN, and classmates who initially believe the country’s institutions may be imperfect but remain fundamentally trustworthy. PROFESSOR GRANT warns them that democracy rarely disappears in one dramatic act; it is surrendered gradually whenever comfort becomes more valuable than conscience.
IN DEVELOPMENT
SEEKING
FEATURE FILM SUPPORT
OUT OF ORDER
Forced by financial hardship to secretly live in an out-of-order bathroom at his Ivy League university, a struggling student fights to conceal his homelessness until an unlikely campus employee discovers the truth—and offers him a chance to reclaim his dignity.
MR. LEE
CROSSROADS - Bridges -
Former dancer Leslie De Santis-Paulsen hosts a New Year's Eve celebration in her Montclair home while quietly grieving the career, bodily autonomy, and sense of self she gave up for marriage. Her twin brother Lance arrives with a psychic's prophecy: before midnight, several people in the house will reach a crossroads. As Leslie's husband Kyle, her devoted friend Alex, Lance's closeted former lover Dean, sharp-tongued Troy, sheltered Hope, and volatile actress Anne collide, secrets involving infidelity, abortion, sexuality, ambition, and betrayal tear through the party. The choices made that night continue to reshape the group over six months, until Leslie and Lance discover that crossing a bridge may require leaving the old life standing behind them.
IN DEVELOPMENT
GARBAGE
Two detectives hunting for the identities of two masked bank robbers follow their investigation to an unlikely shop, where questioning an eccentric proprietor turns a routine inquiry into a tense, darkly comic search for the clue that could finally put faces to the masks.
A traditional Korean American mother, convinced she has found the proper Korean match for her daughter, arrives unannounced and discovers Mike—a young Black man—in her daughter’s bed, forcing racial prejudice, cultural expectations, and a daughter’s independence into the open.
ROUGH WEATHER
Cablevision Industries (CVI) TV Commercials: Local television advertisements from the former major American cable provider, Cablevision Industries, which operated out of Liberty, New York, and heavily served regions like Southern California's West Valley and Central Florida before being acquired by Time Warner Cable.
A NEW LOVE FOREVER
Thirty-six years after a missed rendezvous, widowed music teacher Sherry Bell reunites with former singer Dwayne Carter—only to discover that he carries evidence linking a powerful developer and his own guilty signature to the fire that killed her husband.
This short film contains a new original song written by Jeff Lambert Wingfield.
“We were late for love, Sherry. We cannot be late for the truth.” - Dwayne
“I can forgive the man you were—but only if the man you are tells the truth.” - Sherry
